2-bit lit crit and quality control

Terrence Moore's The Story-Killers was a revelation to me in any number of ways, one being the idea that English teachers should not spend their time teaching what Moore calls two-bit lit crit. (I'm sure Carol Jago has something intelligent to say on the subject -- will report once I finally get to her book.)

In the meantime, just a few minutes ago I came across the video below, which appears on the flipped learning network site's "Examples of Videos page." The lesson pretty much exemplifies two-bit lit crit, I think.

But the two-bit lit crit-ness is the least of it, which is why I'm posting.

Watch the first 30 seconds or so. See what you think.

The oddness of this flipped-classroom offering brings up an issue I've been wondering about: where is the quality control?

Here in New York, administrators are now required to make at least two visits to each teacher's classroom per school year (my district is doing four) -- but if teachers are recording their lessons, who's watching the videos?

Do the 'board members' and 'staff' of the flipped learning network watch lesson videos before posting them to their site?



Plot Structure at the IMA (7:08, Cockrum)

Drear

I've finally tuned in to Common Core a bit, mostly because I've been chatting with a Common Core person here in my town, who directed me to NYC's Tasks, Units & Student Work.

So today I took a quick look at NYC's sample ELA Tasks and Units and saw only one sample Task, across all 14 grades (Pre-K through Grade 12), that had anything whatsoever to do with fiction: Grade 9 Literacy in English Language Arts: Who Is to Blame for Romeo and Juliet’s Death.

It's always worse than you think!

Number one, Romeo and Juliet is too hard for 9th grade students to read, especially 9th grade students who've just spent 9 years reading "informational text" and writing "calls to action."

But, number two, even if 9th-grade students could read Romeo and Juliet, there is no earthly reason for anyone to undertake a "Task" that involves answering the question "Who Is to Blame for Romeo and Juliet's Death?"

Real English professors don't assign Tasks requiring students to figure out "Who Is To Blame for Romeo and Juliet's Death?" (Real English professors, in my experience, don't assign Tasks at all. They assign papers.)

Real English professors don't assign Tasks requiring students to figure out "Who Is To Blame for Romeo and Juliet's Death?" because Romeo and Juliet is a play, not a feature story in the New York Times. Romeo and Juliet are fictional characters; they don't actually exist.

Who is responsible for Romeo and Juliet's Death?

You got me.

William Shakespeare, maybe?

If this is Common Core, public school is about to turn into 13 years of SAT reading.

Thirteen years of SAT reading is nobody's idea of a good time. Let us pray that our policy elites do not manage to lengthen the school year before Common Core passes from the stage.

What actual English professors think students in English classes should write about:
Norton: Writing About Literature
Norton: Identifying Topics
English paper thesis statements 

The complete list of sample ELA tasks and units.

The moral life of downtown

Back from a quick trip to Illinois to see my niece graduate high school --- and finally posting this passage from a WSJ book review:

Almost two decades ago, Earl Shorris, a novelist and journalist, told the editor at his publishing house that he wanted to write a book about poverty in America. The editor, to his credit, said that he didn't want just another book describing the problem. He wanted a solution. So Shorris, who had attended the University of Chicago on a scholarship many years before and who was greatly influenced by its Great Books curriculum, hit upon the idea of teaching the core texts of Western civilization to people living in poverty, whose school experience had scanted the canon or skipped it entirely. His Eureka moment came when he was visiting a prison and conducting interviews for another book he was planning to write.

He asked one of the women at New York's Bedford Hills maximum-security prison why she thought the poor were poor. "Because they don't have the moral life of downtown," she replied. "What do you mean by the moral life?" Shorris asked. "You got to begin with the children . . . ," she said. "You've got to teach the moral life of downtown to the children. And the way you do that, Earl, is by taking them downtown to plays, museums, concerts, lectures." He asked whether she meant the humanities. Looking at him as if he were, as he puts it, "the stupidest man on earth," she replied: "Yes, Earl, the humanities."

What Would Socrates Do? By NAOMI SCHAEFER RILEY April 16, 2013, 6:18 p.m. ET

bring back English

A university funded, award-winning undergraduate Honors thesis at NYU:

Shahida Arabi, The Show That Must Go On: Gender Performativity in Austen’s Pride and Prejudice and Shakespeare’s As you Like It*
The Show That must Go On: Gender Performativity in Austen’s Pride and Prejudice and Shakespeare’s As You Like It Shahida Arabi, English
Sponsor: Professor Elaine Freedgood, English

Judith Butler’s concept of gender performativity asserts that gender is a performance that is constantly problematizing itself. using this idea as a basis for my research, and combining literary criticism with performance studies and gender studies to guide my analysis, I explore how gender is theatricalized and problematized in Shakespeare’s As You Like It and Austen’s Pride and Prejudice within their respective historical contexts. The body in both texts serves as the site where cultural meanings are inscribed and performed through various stages of gender signification, including cross-dressing, drag, and the rituals of marriage. The body exerts a performative labor that exposes and subverts the very performances being staged. Austen’s Pride and Prejudice emphasizes the role of marriage in successfully “passing” for a woman in eighteenth-century England, while Shakespeare’s As You Like It reveals a world of drag and cross-dressing that both destabilizes and exposes the performativity of gender through the vehicle of Rosalind’s body. Rosalind’s doubling performances construct several layers of gender performance, reflecting the nuanced roles of sixteenth-century English women and the dubious nature of the gendered body on the Shakespearean stage.. These performances, engineered through clothing and language, are partially negated by Rosalind’s references to her biological body, even as they are reinforced by her defamation of the female sex. The financial necessity of marriage in eighteenth-century England compels female characters in Pride and Prejudice to perform their gender through marriage rather than through the stage props of clothing or weapons. Consenting to or refusing a marriage proposal could secure social mobility or undercut social and class expectations. The narrative, however, complicates seemingly subversive performances by reducing characters to the physicality of their bodies, or granting physical agency to “flattened” or one-dimensional characters. These two texts, despite the difference in historical era, problematize this timeless discourse of a stable gender identity.
Inquiry: A Journal of Undergraduate Research

* supported by Dean’s undergraduate research Fund † winner of Phi Beta Kappa Albert Borgman Prize for Best Honors Thesis

Wayne Booth and a different way to prepare for critical reading

First of all, the correct answer to yesterday's SAT reading comprehension question, the question we're asked to answer without reading the passage the question is about, is A: The author's attitude toward children appears to be one of concern for the development of their moral integrity.

C. and Ed read the question two minutes ago and both chose A. (Debbie and I chose A, too.) Ed is sitting here now basically running through Glen's entire line of reasoning, all 5 points. I'm cracking up!

Of course, getting this answer right is no great feat: according to the research summary I found, 83% of subjects in the Katz and Lautenschlager et al study got it right, too, with no more than 7% of subjects choosing B, C, D, or E. 

Glen and Ed didn't have to get as fancy schmancy as they did, either. (I say that with love!) According to Katz and Lautenschalger as quoted by Iri-Noda-San, all any of us had to do to answer this question was to note that:

“[t]he item just discussed is flawed because not a single incorrect choice characterizes a socially appropriate attitude toward children, whereas the correct choice does (p. 304)”.

Wayne C. Booth (or: I wish kids could be English majors again)

I have never actually read Wayne Booth, I am sorry to say. I intend to.

Back in graduate school I knew just enough about Wayne Booth's work to have been deeply intrigued by his notion of the implied author, and to have spent quite a bit of time thinking about what exactly an implied author might consist of inside a movie as opposed to a book.

Last night, after Debbie arrived fresh from her tutoring adventures bearing news of the Katz and Lautenschlager study, I had a eureka moment: the SAT has an implied author.

The SAT has an implied author, and you need to read the implied author as well as the passages to get the answers right. That's what good readers do.

I have been naturally reading the implied author in SAT reading sections, and so has C. I say "naturally" because I do it without thinking about it, and if I do think about it, I don't take it seriously. When C. and I joke about the "grammatically correct" minority questions in the writing section, we're joking.  We don't see ourselves as having (correctly) interpreted a text.

In fact, I rely upon my understanding of the implied author to such a degree that the single most useful piece of advice anyone ever gave me about SAT reading was LexAequita's observation that SAT reading questions are "picayune in the sense that you'd better start thinking like a 13-year old with Asperger's syndrome." On one level, Lex's advice is about the logic of SAT reading questions, but on another level Lex's advice is about the implied author. The implied author is picayune!

(There's an implied author in the math sections, too.)

These days, of course, no one has heard of implied authors and the like; the formal analysis of literature seems to have disappeared from English departments across the land. I search high and low for close readings of the folk tales and fairy tales I'm teaching, and all I find are Marxist analyses and multiple references to menstruation. I am not going to discuss menstruation with a class full of 18 year old boys (and girls) taking developmental composition. Nor with a class full of 18 year old boys and girls taking non-developmental composition, for that matter.

If I knew how to do a close reading of texts, if I knew more than just a smidgeon about functional linguistics, I bet I could crack the test, as opposed to consistently get the answers right without knowing why I consistently get the answers right.

And I wish I had been able to take a class with Wayne Booth. His students obviously loved him.

test prep

Who teaches kids to read the implied author in a text?

Does anyone?

If you're lucky, an English teacher will show your child how to locate main and supporting ideas in nonfiction texts. And there is a strong focus in many precincts upon identifying an author's "biases." David Mulroy writes about the contemporary preoccupation with argument in The War Against Grammar.

But I think that's about it.

I know a student in a neighboring town, who I worked with briefly on SAT reading. He put a great deal of time and energy into preparing for the test, and his writing and math scores both were in the mid 700s by October, but he could not get his reading score above the low 600s.

That never made sense to me. He and I had read together. He was a good reader, and he was smart.

You see kids like him time and again, and people remark on it. The reading test is the one that can't be tutored; that's the rule.

Now I'm wondering if kids are failing to read the implied author.

I'm also wondering whether it would be a good idea to have students purposely take some critical reading sections without reading the passages. Offhand, such an exercise seems like a good way to reveal the SAT's implied author.

The researchers who've looked into this issue seem to take the view that if a test-taker can answer the questions on a reading passage without reading the passage, the test is invalid.

That strikes me as the wrong way to look at it, although I haven't read the papers. In the studies, students who did best answering questions without reading the passage also scored highest on the test itself, and I think it's at least possible that this research reveals more about the nature of strong readers than it does about the SAT. I am now wondering how many questions I answer not on the basis of the passages but on the basis of the tone, style, grammar, and content in the question sections per se.

I don't know the answer to that, but I'd like to.

the question:
The author’s attitude toward children appears to be one of:
(A) concern for the development of their moral integrity
(B) idealization of their inexperience and vulnerability
(C) contempt for their inability to accept unpleasant facts
(D) exaggerated sympathy for their problems in daily life
(E) envy of their willingness to learn about morality


Katz, S., Blackburn, A. B., & Lautenschlager, G. (1991). Answering reading comprehension items without passages on the SAT when items are quasirandomized. Educational and Psychological Measurement, 51, 747-754.
Katz, S., Johnson, C, & Pohl, E. (1999). Answering reading comprehension items without the passages on the SAT-I. Psychological Reports, 85, 1157-1163.
Katz, S., & Lautenschlager, G. (1994). Answering reading comprehension questions without passages on the SAT-I, ACT, and GRE. Educational Assessment, 2, 295-308.
Katz, S., Lautenschlager, G., Blackburn, A. B., & Harris, F. (1990). Answering reading comprehension items without passages on the SAT. Psychological Science, 1, 122—127.
Millman, J., Bishop, C. H., & Ebel, R. (1965). An analysis of testwiseness. Educational and Psychological Measurement, 5, 707-727.
Powers, D. E., & Leung, S. W. (1995). Answering the new SAT reading comprehension questions without the passages. Journal of Educational Measurement, 32, 105-129.
Pyrczak, F. (1972). Objective evaluation of the quality of multiple-choice items designed to measure comprehension of reading passages. Reading Research Quarterly, 8, 62-72.
Tuinman, J. (1973-74). Determining the passage dependency of comprehension questions in five major tests. Reading Research Quarterly, 9, 206-223.

Eight O'Clock Class

Three times a week this small assembly meets, With drooping eyelids and half-hidden yawn,
To hear, incredulous, how Shelley, Keats,
And Wordsworth rose to write before the dawn.

EIGHT O'CLOCK CLASS
Richard Armour

Source: College English, Vol. 21, No. 7 (Apr., 1960), p. 383

I vote 'no'

Anonymous asks:

Can anyone think of a good reason for the only required book for 10th grade Honors English to be Lies My Teacher Told Me by James W Loewen?

No, they apparently weren't doing it as an example of propaganda. No, I did write English and not History.

another reason to vote 'no' on your local school budget

"Parents weigh in on English curriculum"

in yesterday's Enterprise

woo hoo!