kitchen table math, the sequel: Fluff, fluff, and more fluff

Thursday, January 10, 2008

Fluff, fluff, and more fluff

I don't mean to piggyback on Karen's post, but this writing gig has brought me into contact with some writing folks here, and I lunched with a couple of them today. The conversation was . . . interesting.

Process writing is like constructivism, collaborative work, and a whole slew of other things: It is a powerful pedagogical tool when done in the right circumstances, and with the right amount of guidance. So it's quite possible for me to sit down with these people and have a conversation about teaching for, oh, about fifteen minutes before hitting a logjam -- like the one today.

We were having a perfectly nice lunch, when one popped up with (this is from memory), "Oh, I just read an article proposing that we teach grammar! Some people are so stupid!"

I planned to keep my mouth shut, and I would have, except that the other three, like a Greek chorus, chirped their agreement -- not with her point about teaching grammar, but that anybody who thought teaching grammar might be a good idea has to be a stupid dolt.

I have been in these conversations before, and I know how not to disagree in these contexts. So I said, "But how do you analyze texts and talk about how they were written and why without grammar as a common language?"

Like I said, I've had these discussions before, and usually, bringing up that point leads to further, productive, and often interesting, discussion. But not today. The three just looked at me for a minute, and then one said, "What do you mean?"

Given that we had just done the Declaration of Independence in class so it was quite fresh in my memory, I told them what we had done. "Jefferson uses topicalization, active/passive voice, and topicalized cleft sentences, etc., etc., etc., in addition to choosing when to use personal pronouns and not to, etc., etc., etc., to shift the focus from the abstract, to King George III, to the Colonists. If students don't know what topicalization, or voice, or cleft sentences, or pronouns ARE, how, exactly, do you talk about how the document was written? Indeed, how do you talk about how ANY text is written if you have no common concepts to which you can refer? Sorry, but I don't see how you can approach a text even superficially without some shared understanding of grammar."

These three had no idea what I meant -- and they're all English composition teachers. I'm pretty cynical, but I was floored. I have had many conversations with many English composition folks, and nearly all of them are flaky, but never have I encountered any who were such clueless nitwits as these three. They just looked at me with their mouths hanging open. They didn't have even a syllable in response, because they had no idea what I was talking about. None.

To try to gloss over the rather uncomfortable situation, I asked them, then, what they did in their classes. That did get us past their unease, but it made me squirm. "Oh, we talked about the article in Time Magazine," and "We talked about the essay we're going to write about abortion," and "We talked about plagiarism."

Not sure that they weren't just incapable of expressing themselves precisely, I pressed. Yes, they all talked. That's what they did in their English comp classes. They talked. So what, exactly did they talk about? What was the topic of the article in Time? Why is it misogynist to oppose abortion? What is plagiarism? That's what they did in class.

The English comp/ESL writing split used to be rhetoric (that is, writing, and textual analysis) v. grammar correction. Now, it seems that it's meaningless fluff v. rhetoric. But what I can't get out of my head is that these three didn't have a clue what I was talking about. I find that amazing -- and depressing.

32 comments:

Anonymous said...

You do realize that they didn't know what topicalization means, right? And they don't know what a cleft sentences is, and they probably only know "voice" in some fluffy emotional sense?

So of course they had nothing to say. You told them they couldn't possible talk about a text.

I never learned any of the things you mentioned. My first grammar class was 8th grade, and my last was 9th grade. It used some book that did manage to teach us parts of speech and certain literary devices. I apparently am the only person my age who knows what a predicate nominative is, but I thought that meant I knew some grammar. Now I know I was taught none. I'm 35, and I went to undergrad at MIT, and grad school at Cal.

What's more interesting to me, though, is your notion that rhetoric is on the other side of the divide. In grad school, I took rhetoric classes for fun as I knew I knew nothing of literature. Rhetoric class was the only place where I learned to analyze a text and was taught what passive and active voice really meant, what shifting the focus from the abstract to concrete items did. So perhaps rhetoric is the only place left that teaches any textual interpretation at all, and real rhetoric professors teach grammar but don't admit it.

Anonymous said...

btw, Cal has a Rhetoric Department. Infinitely more valuable than the English dept.

Doug Sundseth said...

I'd be willing to bet that those teachers would be unable to teach rhetoric either formally or well. And I'd both bet and offer odds that their understanding of basic fallacies is so nearly nonexistent as to be indistinguishable therefrom.

I suspect that they have mastered the five-paragraph essay, though.

Not that I'm cynical, or anything.

(That would be apophasis, by the way.)

8-)

Tracy W said...

I would have to say that I can't remember any of my English teachers at school talking about how any text was written.

We talked about what the text meant a lot. I remember studying some NZ author, and our teacher going on about his deep and dark vision of small-town NZ and what it implied about our world, and then at home my mum noticed the book I was reading and said "Oh, one of my friends at uni went out with him. He was a rather creepy guy." Which rather changed my view of the book. (This sort of coincidence happens all the time in a small country like NZ). But I can't recall talking about

It's possible that they did and I don't remember it. I do remember being very interested when I came across some analysis of how authors achieve their effects latter on in reading books.

I'm 30. The only grammar I learnt was in Latin classes. Oh, and a teacher in standards 1 & 2 (ages 7 & 8) tried to teach us some.

Anonymous said...

Talking about what a text means is fine, but that's reading, not writing. You can have two texts that communicate more or less the same ideas, one well written and the other crap, and the only way to distinguish the two is talk about HOW the texts are written, because that's where the difference between the two lies.

After all, if you never approach HOW texts are written, and WHAT makes good writing, then how can you distinguish between, say, Faulkner and a supermarket bodice-ripper, other than the rather meaningless criterion of personal preference?

Although grammar, in terms of correctness, is only a very small part of that, grammar as a set of shared terms and concepts, a lingua franca, if you will, is an indispensable tool for analyzing HOW a text is written. I just don't see how you can approach rhetoric without a thorough grounding in grammar.

Anonymous said...

But surely you've noticed that most of the samples of writing offered in the post modern lit crit world are terribly written.

And you must know that in our post modern world, who is a professor to tell me that my personal preference is not as good an indicator of value as the criterion of rhetorical skill?

We do agree with you about the need for grammar. We just are so badly versed in how to write, and what rhetoric and grammar ARE that we have no idea how to do anything but agree with you. We are, essentially, illiterates, but we didn't even know it.

I went into the sciences in college because I knew that they were rigorous. I knew that the liberal arts weren't. But what I didn't realize is that in the past, the liberal arts HAD been rigorous. I had no way of knowing that classics or rhetoric or history was once taught as rigorously as physics, because none of my grammar school or high school teachers indicated that to me, nor did any peer of my parents, who all went to college post 1966.

So, where can we go to improve ourselves? and learn about grammar and rhetoric?

Catherine Johnson said...

So I said, "But how do you analyze texts and talk about how they were written and why without grammar as a common language?"

And that is a very good question.

Ed got me the new illustrated version of Strunk & White for Christmas & I realized that I don't know the terminology.

Horrifying.

I suspect you won't be surprised to learn that I've never even heard the term "topicalization."

I'm practically an idiot savant.

Catherine Johnson said...

I don't think I want to reveal to this lot the fact that I TAUGHT FRESHMAN RHETORIC.

Catherine Johnson said...

I do know what a pronoun is, however.

So that's something.

Tracy W said...

Well, rightwingprof, the simple answer is that we didn't. Like Allison, at high school I had no idea there was such a topic as rhetoric.

Though my history classes at high school were rather rigorous in terms of subject matter.

I dropped English at high school the moment I could in favour of an extra maths paper because I didn't think I was learning anything in that subject. I kept up history though.

Catherine Johnson said...

"Oh, we talked about the article in Time Magazine,"

Well, see, if they were teaching in a District that just bought 45 SMART Boards they could have Googled it.

Catherine Johnson said...

I apparently am the only person my age who knows what a predicate nominative is

ummmm.....

Catherine Johnson said...

After all, if you never approach HOW texts are written, and WHAT makes good writing, then how can you distinguish between, say, Faulkner and a supermarket bodice-ripper, other than the rather meaningless criterion of personal preference?

In fact, I can't talk about it.

I've been buying books like Wayne Booth's Rhetoric of Fiction & Ciardi's How Does a Poem Mean in hopes I'll be semi-prepared to manage the reteaching that will no doubt be involved in high school lit classes.

Catherine Johnson said...

So tonight I had a whole gang of kids over using C's Mac to complete their video projects.

Did they receive any instruction in the rhetoric of documentary?

I doubt it.

C. has a scrapbook due for Earth Science in a month. The scrapbook will allow him to make "real world" connections to Earth Science. That's what the assignment sheet says.

You might think Earth Science would be real world by definition, but no.

It's pretty much a vocabulary course with labs.

Of course, I'm grateful for the vocabulary instruction. Until last night I did not know what an Artesian spring was.

Nor an aquifer.

concernedCTparent said...

Thanks to RWP's reference to "topicalized cleft sentences," I've just reclassified myself as ELL. As such, it seems a visit to the BBC's "Learning English" website is exactly what I'm needing.

http://www.bbc.co.uk/worldservice
/learningenglish/grammar
/learnit/learnitv149.shtml

Anonymous said...

"how can you distinguish between, say, Faulkner and a supermarket bodice-ripper, other than the rather meaningless criterion of personal preference?"

Um ...

1) If it takes place in Yoknapatawpha County, then it is Faulkner, not the supermarket bodice-ripper.

2) If you can read it for pleasure (as opposed to *study* short sections for hours to find out what the hell is going on), it is the supermarket bodice-ripper.

3) If it has the words "Nobel Prize" on the cover anywhere, it is probably Faulkner.

-Mark Roulo

Catherine Johnson said...

so....do you WANT me to fall out of my chair laughing?

Catherine Johnson said...

I will be visiting the Beeb, no question.

Also ordering Martha Kolln on rhetoric, no doubt.

concernedCTparent said...

I was revisiting Vonnegut's Welcome to the Monkey House while waiting for my daughter's ballet lesson to end.

After my distress as to my lack of knowledge when it comes to "cleft sentences," I found I was strangely comforted by the preface to Vonnegut's collection of essays:

"I have been a writer since 1949. I am self-taught. I have no theories about writing that might help others. When I write I simply become what I seemingly must become. I am six feet two and weigh nearly two hundred pounds and am badly coordinated, except when I swim. All that borrowed meat does the writing.

In the water I am beautiful."

I hope that someday I learn to be beautiful in the water too.

concernedCTparent said...
This comment has been removed by the author.
concernedCTparent said...
This comment has been removed by the author.
concernedCTparent said...

BBC Grammar Challenge

Anonymous said...

Okay, that was funny, although just for the record, some of us enjoy reading Faulkner.

concernedCTparent said...

Apologies for the deleted comments. I was learning how to embed a link and it didn't go well at first. I finally got it on the 3rd try (at KTM expense).

concernedCTparent said...

... or I didn't.

Back to the drawing board.

Catherine Johnson said...

Well, believe it or not, I have actually read Faulkner.

On my own.

In high school.

Catherine Johnson said...

I am six feet two and weigh nearly two hundred pounds and am badly coordinated, except when I swim.

yeah, well, I just want to find out what topicalization and cleft sentences are.

damn you, rightwingprof!

Catherine Johnson said...

I say that with affection.

Anonymous said...

The first position in a sentence is topic position (this, by the way, is a pan-linguistic phenomenon), that is, the position of primary focus (focus is actually different from topic, but the distinction isn't relevant here). So "John went swimming" is about John, because John appears in topic position. We can, in English, shift something other than the subject to topic position when we want to make it, and not the subject, the topic of the sentence. This is called dislocation: "But as for Mary, John left her at the party." We also use cleft sentences to place something other than the subject in topic position, and make it the topic of the sentence. A cleft sentence looks like: "It was Mary John left at the party." Jefferson masterfully controls the topic throughout the document, and shifts it from section to section, beginning with the abstract, moving to King George III, and ending with the colonists. It's particularly effective in the long section of grievances, all of which begin with "He," meaning, of course, George III, even when the perpetrators of those wrongs were, in fact, other parties (ultimately, yes, Georgie was responsible).

Actually, to see what I was talking about wrt grammar and rhetoric, see Joseph Williams's Style: Lessons in Clarity and Grace (am I imagining it, or didn't you say you had ordered it?) He has an excellent section on using topicalization to create coherence.

Catherine Johnson said...

I love Williams!

Have only made it through 10 or 20 pages, but it is a fantastic book.

Catherine Johnson said...

Have you read Martha Kolln?

TerriW said...

1) If it takes place in Yoknapatawpha County, then it is Faulkner, not the supermarket bodice-ripper.

I am now gripped with the sudden urge to write a bodice-ripper that takes place in Yoknapatawpha County...